Old school hardcore/nu-metal – Biohazard & Hatebreed meets Deftones & Korn. New Danish act Murder Among Kings with former members from Downswitch and Crawcell. Mixed by KB Larsen (Volbeat) and mastered at Medley (Glenn Hughes, Artillery).
“47 Double Click” is a tribute song to the city that the band grew up in, 4700 Naestved. The city has, throughout the years, been the center of a metalscene that inspired and developed Murder Among Kings musicwise. The song reminds us that life may be giving some hard knocks and wounds, but the roots remains the same.
Jimmy Nielsen (vocals)
Martin Nicolaisen (guitar)
Mathias Larsen (guitar)
Chris Bravo (bass)
Mighty Music are proud to welcome the Swedish old school death metal band to the family.
PUTERAEON out of Gothernburg emerged in 2008 and has since then released 3 demos, 3 EPs and 3 albums.
Jonas Lindblood, has the following to say about the deal: “Our next album, on Mighty Music, will be released in 2020 . The album will be a concept album based on the novel “The call of Cthuluhu” by H.P. Lovecraft”.
Michael H. Andersen, Target Group/Mighty Music CEO adds: “Jonas Lindblood was one of the first artists I ever signed back in the late 90s and released three albums by his former band TAETRE back in the days. Lindblood is one of the most talented extreme metal songwriters and performers I know and I am so utterly proud to welcome him back to the Mighty Music family“.
The 2020 PUTERAEON album will be recorded in Gotenburg and mixed and mastered by Dan Swanö.
Jonas Lindblood – Throat/Guitar
Daniel Vandija – Bass
Anders Malmström – Drums
Rune Foss – Guitar/Backup Vocals
Hailing from the soil of Skanderborg, Denmark, Wayward Dawn plays intense and relentless death metal. The band drags the listener into a cavernous world of vicious nihilism and monstrous soundscapes with thundering double bass pedals, pulverizing basslines, and downtuned guitars played through classic Marshall amps. With inspiration from both old school and modern death metal, Wayward Dawn delivers a combination of ferocious tremolo-picking and blastbeats, slow and crushingly heavy passages, and epic choruses. Venomous words of human and societal decay complete the picture with savage roars, abysmal growls and rotten screams.
Since its formation in October 2015, Wayward Dawn has, among other things, played at Aalborg Metal Festival, SPOT Festival and supported bands like Nailed to Obscurity (DE), Jinjer (UA), BAEST (DK) and Red Warszawa (DK). With mentions in prominent magazines such as Metal Hammer and GAFFA, the band is known for its hyper-energetic live shows with constant use of the windmill headbanging technique and manic interaction with the audience.
Wayward Dawn released their critically acclaimed debut album “Soil Organic Matter” on August 31 st 2018. The album was recorded and produced by Jacob Bredahl in Dead Rat Studio and mastered by Brad Boatright at Audiosiege (Obituary, Nails, Full of Hell).
AnoxiA is back with their sophomore full length effort “TO THE LIONS”. AnoxiA has spent the time since the release of their previous full-length, the critically acclaimed “A Lapdance For The Devil”, partially on the road and partially in rehearsal and the studio, crafting the 9 songs that would eventually become “TO THE LIONS”. The musical direction on “TO THE LIONS” is old school heavy metal – melodic, yet hardhitting and thrashy at times. At times even a modern twist sneaks in. The songs are carved around strong riffing a wide array of vocal variation, supporting the musical landscapes.
“TO THE LIONS” is in the natural vein of AnoxiAs previous works, not deviating too much from the recognizable AnoxiA-formula of heavy metal. However, this time AnoxiA decided on a more direct and clear edge to the sound, allowing the songs to speak more for themselves. The musical direction bears references to the likes of Iron Maiden, Slayer, In Flames, and a lot of classic hard rock and 80s thrash.
Guitarist Claus S. Nielsen states: “This time our approach to the writing process was to create aggressive and raw, yet melodic and memorable heavy metal songs that first hit you between the eyes and then stick in your ears! That has indeed been a pleasant journey, however with many a fun detour along the way. ”
Vocalist and guitarist Lars Frederiksen elaborate: “We wanted to keep intact the AnoxiA trademark, but at the same time also to renew or refine our sound. By teaming up with our longtime friends, Ole W. Bertelsen (producing, recording, mixing)) and Simon Joergensen (drum recording) we gained a more direct and dynamic sound than the previous album. Adding Jacob Hansen at Hansen Studios, who in fact did some of our first demos in 2000, for mastering the album, gave the new album the last boost and we’re very satisfied with the sound.”
AnoxiA is a well-established act on the Danish underground live metal scene, their longevity dating back 20+ years. Hell bent on having fun during performance, AnoxiA approaches any gig fully charged, sincerely convinced that in order for the audience to enjoy, the band must enjoy.
Lars Frederiksen – Vocal / Guitar
Claus S. Nielsen – Guitar
Allan Nielsen – Bass
Søren Frederiksen – Drums
Japan’s SOLITUDE history started in 1996, two ex-members of SACRIFICE (Japan)*, the founding member and main composer Akira Sugiuchi <vo> and the bass player on two of their albums Toru Nishida.
In 1998, they picked up “SOLITUDE” as the name of the band, and they played live for the first time in March 1999. In September, Shingo Ida (ex-BARTOLOMMEO) joined the band, and his distinctive style of melodic guitars has brought a new blood into the band. In November, they recorded two songs, “Virtual Image” and “Eagle Fly”. This recording was used for promotion as “SOLITUDE Demo ’99”.
Their debut album “Virtual Image” was finally released on 5th of September, 2001 from SPIRITUAL BEAST. The album got rave reviews from the underground fanzines and webzines, not just in Japan but in the US and throughout Europe, and requests for interviews flooded in. The reaction was especially overwhelming in Germany, owing to the sampler CD called “Metal Crusade” from “Heavy oder was!?” magazine, which featured the title track “Virtual Image”.
The first drummer’s Yasuo Koyano (ex-RIP RIDE) left the band prior to the release of the album, but the band continued touring with the help drummer, sharing the stage with various bands from METALUCIFER to DEFILED and SIGH. In July 2003, having added Tai Syouda (ex-GUARDIAN’S NAIL, now leading his own band, SEVENTH SON) as a permanent drummer, they flew to Germany to play at “Headbangers Open Air”, where they shared the stage with veterans like BLITZKRIEG, TRESPASS, and KILLER (Belgium) as well as youngsters like STORMWARRIOR, CRYONIC TEMPLE and DOOMSWORD. Their performance was praised by various media, with German “Rock Hard” magazine describing them as “the highlight of the festival”. The fact that many metalheads kept on chanting for SOLITUDE for a while after they left the stage proves the impact they had.
In 2004, they started preparing for a new album, and first recorded “Rainbow Theme” – “Frozen Rainbow” for a SAXON tribute album “Eagleution – A Tribute to Saxon”, put together by Remedy Records in Germany. The recording continued while the band played selected gigs like “Duryu Rock Festival” in Korea, or short tour in Japan, but their uncompromising attitude and personal issues (the death of Akira’s family) delayed the whole process more than they had expected.
The recording, carried out at various points, was finally over and while they were waiting the mixing to be done, at the end of 2008, Syouda decided to leave the band. In later 2009, very famous drummer’s Takamasa “Mad” Ohuchi (ex-ANTHEM) joining SOLITUDE as a permanent member.
In December 2009, after 8 years from the debut album, the long-awaited new album “Brave the Storm” finally hit the stores. The mastering duty was handled by Alan Douches at West West Side Music (THE AGONIST, MASTODON etc).
In January 2011, the band toured Korea and Japan with Swedish sensation Enforcer, with Mean Streak also added for the Japanese dates. In September, “Brave the Storm” was released in Europe on Fastball Music in Germany. In July 2012, the band helped set up a Japan tour for Canada’s Skull Fist, and toured with them and Widow from US. In 2013, they co-hosted the “Japanese Assault Fest”, sharing the stage with GIRLSCHOOL, VEKTOR, FASTKILL, AIR RAID etc.
In April 2014, the band finally started recording a new album. Looking for the kind of sound production they grew up listening, they went into a closed movie theater in Gotenba, Shizuoka, where they brought in the recording equipments, just like Deep Purple did in a hotel, Rainbow did in an old castle etc in the 70’s. With the great ambience and the environment to allow you to play as loud as you want, the place was later modified into a proper recording studio called “Tapestry Recording Studio”. The band appeared at the “Japanese Assault Fest 14” two years in a row (SATAN, HEAVY TIGER, MIDNIGHT MALICE, etc) later that year.
The album was mixed and mastered at Pama Studios in Sweden, by Magnus “Mankan” Sedenberg and Magnus “Maxe” Axelsson respectively, who had worked with such bands as BULLET and CRUCIFIED BARBARA. The stunning artwork was painted by the Italian artist Velio Josto, who had done covers for WARLORD, MEDIEVAL STEEL, OSTROGOTH among others. This album “Reach for the Sky” was released from SPIRITUAL BEAST in June 2015. And the band appeared at the “Japanese Assault Fest 15” (ENFORCER, SUICIDAL ANGELS, DIEMONDS, etc.) , and the band performed Japan tour of more than 20 place until early 2016.
In November 2016, the band appeared at the “Japanese Assault Fest 16” (BLITZKRIEG, ANCIENT BARDS, BIO-CANCER, HITTEN, etc). And In December, “Reach For The Sky” was released in Canada, North America, Mexico by Test Your Metal Records in Canada.
And the great evaluation of that album spread far to England and Europe.
Powerplay Mag (UK): 9/10 Point
Rock Hard (Germany): 8.5/10 Point
Burrn! (Japan): 88/100 point
FFM ROCK (Germany): 9/10 point
Bravewords.com: 8/10 point
Lords Of Metal (Nederland): 80/100 pointRelease
Norwegian death metal kings, BLOOD RED THRONE, celebrates 21 years in the scene and will release their 9th album in 2019 with following live shows to support their best album so far. The band was started by still remaining member, Daniel “Død” Olaisen, when he played in Satyricon in the 90’s. Original drummer, Freddy «Fred the Shred» Bolsø, returned in 2013 and Ivan “Meathook” Gujic, Ole “Hellbent” Madsen and Yngve “Bolt” Christiansen have been in the team the last 7-8 years. Stian «Gunner» Gundersen has recently been replaced as their new bass player and they just signed a rfecod deal with Mighty Music(Denmark).
BLOOD RED THRONE is known for their energetic and connecting live-shows and has toured many parts of the world the last 18 years. Both as headliners but also on support tours with Dimmu Borgir, Enslaved, Suffocation, Cryptopsy…to name a few. They have done big festivals as Wacken, Hellfest and Bloodstock and many others.
In 2019 their latest releases “Fit To Kill” was released through Mighty Music
Daniel ”Død” Olaisen – guitar
Ivan ”Meathook” Gujic – guitar
Freddy «the Shred» Bolsø – drums
Stian «Gunner» Gundersen – bass
Yngve «Bolt» Christiansen – vocals
Monument of Death – 2001
Affiliated With The Suffering – 2003
A Taste For Blood MCD – 2004
Altered Genesis – 2005
Come Death – 2007
Souls of Damnation – 2009
Brutalitarian Regime – 2011
BloodRedThrone – 2013
Union of Flesh and Machine – 2016
Fit To Kill – 2019
Dominanz is an Extreme Metal band with Black Metal influences hailing from Norway.
Dominanz was formed in 2009, and two years later they released their debut As I Shine. In 2014 Dominanz followed up with the critically acclaimed Noxious. The world press embraced it, and the reviews were overall great. It was darker and definitely stronger then the debut album.
The contributions of guest vocalists Abbath (Immortal), Olav Iversen (Sagh) and Doro Korsvold (Fairy) made the music even more eclectic and varied. Metal-Temple called it a masterpiece and wrote among other; Noxious is a combination of everything that makes extreme metal what it is, and gave it 10/10.
Now over 4 years later they are ready with their third full length, Let the Death Enter. This time they entered Øystein G. Bruns’(Borknagar) Crosound Studio. They used most of 2017/2018 in Crosound studio to make Let the Death Enter as great as it has become. The final touch is made by the mastermind Dan Swanö at Unisound Studio.
On this album Dominanz are more influenced by their roots from the black metal, but for sure keep their atmospheric signature.
Roy Mathisen: Vocal, bass, guitar and synth
Frode Gaustad: Drums
Luis Vilchez: Guitar
Marius Fimland: Contrabass(live guitar)
For the past 4 years, Dolls Raiders has taken the stage across the Toulouse region’s
Rock Scene with its ravaging yet melodic Hard Rock n’ Roll. The band has also shared
the stage with many known bands such as Furious Zoo and Satan Jokers.
It all started January 10th of 2015, when the Dolls Raiders performed at Satan fest in
Paris under their original name: Iron Cobra.
Shortly thereafter, the band chose to change its name to Dolls Raiders and began
composition of its first album. The band musical style is inspired by Glam, Hard and
Classic Rock, with an ever-present dash of Heavy Metal.
Christophe (guitarist) composes the music, Nicolas (singer) writes militant English lyrics,
and Richard (drummer) and Claude (bassist) ensure a tenacious rhythm and play their
role in song creation.
In 2017, the group began recording their first sound takes in order to put together their
first album: Free Yourself.
Following a year of hard work, this album’s 10 original songs wherein shredding guitar
solos, catchy choruses, and solid rhythms combine to create a masterful mix, were
Free Yourself with its punchy sound and excellent production will be the launched via Denmark’s Mighty Music.
NICOLAS : Vocals /
CHRISTOPHE : Guitar / Backing vocal
CLAUDE : Bass / Backing vocal
RICHARD : Drums
Minus One was formed in 2009 and is the most popular rock band fromCyprus. The plays over 100 live shows ever year and has so far performed in UK, USA, Sweden, Denmark, Greece, Italy, Austria, Russia. E.g. supporting Glenn Hughes several times.
The biggest event has been the attendance to Eurovision Song Contest in 2016, performing live in from of 16.000 people for six times, and attending the televised final, which was followed by 205 million people worldwide.
“Red Black White” has been recorded, mixed and Produced by Soren Andersen at Medley Studio (Mike Tramp, Glenn Hughes, Artillery) and mastered by Thomas “Plec” Johansson of Panic Studio Sweden and shows a super professional rock bands that should appeal to both AOR/melodic rock fans with a modern Muse meets Imagine Dragon touch.
Christopher Ioannides – Drums Constantinos Amerikanos – Guitarist
Andreas Kapatais – vocalist
Harrys Pari – Guitarist
Max-o-Matic – Bass
“Red Black White” to be released on December 14th
In 2014 the band members took the decision to enter the competition for the selection of Cypriot representative at Eurovision 2015. This decision, unlikely for a Rock band, was taken as it is basically the only way to become known abroad, since the size of the population of Cyprus (800,000 inhabitants) does not allow any local artist to reach international level unless by leaving the country or finding a way to be known abroad (it may be worth pointing out that George Michael and Cat Stevens both have Cypriot father). Thus the project to present the song “Shine” to the national selections for the Eurovision Song Contest 2015 was born, where it won the Jury Prize, ranking though third after the televoting.
On 4 November 2015, the Cyprus Broadcasting Corporation (CyBC) announced that the group would represent Cyprus in the Eurovision Song Contest 2016, without making any pre-selection. The song, titled “Alter Ego” was created by Minus One in three weeks, and brought to the production of the Swedish composer Thomas G: son. Rated the best ever entry from Cyprus, it made it through the final but ended up only in 21st position. But in the next two weeks the song found its right place at the top of the charts in Spotify and Itunes throughout most of Europe and has so far been streamed over 2,5 million times on Spotify alone.